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English

Simika, The Stranger in the Machang House

Amitava Mukherjee
2 Min Read
100 Views
2 Comments

Poetry

Simika, a stranger within the machang  eaves, 
holds the Panchchuli mountains
with an innocent, guileless love.

Near the peaks, an idol of sunlight rests;
the meandering bends of Kausani’s hills draw a veil
across the distant horizon.

Panchchuli does not prevaricate.

Through the door’s open arch,
Panchchuli takes the spirit's pleading fancy, bold
as the untethered wind.

In the mountain's cold, indifferent eye—
its vast and endless lie—
Simika reclaims the names she shed.

She stands in tear-soaked infinity,
a quietude worn like the silence of
an ancient, wordless man.

Under the Earth's spectral violet hue,
the simple faces of innocents gleam soundlessly
upon Panchchuli’s slopes.

Her heart's own drumming
falters beyond her hearing.

Within the mountain's quiet love, a fear
ascends in Simika—
a stranger still, she dwells
beneath the machang roof.

A Shinga (stag), wind-sounded, breaks the brush,
its voice a challenge to the
mountain's grand metaphor.

The floating metaphors of a life
spent in devotion gather,
a cloud at the archway of her mind.

In the burnt gunpowder chiaroscuro
of the Panchchuli peak,
Simika’s forty years of dead seasons
sleep soundly in the mountain's
stone courtyard.

In the absolute stillness of that height,
Simika’s fugitive imagination sinks,
a stone alongside those vanished seasons.

Near the sky, unseen,
the day bleeds colorless into
Simika’s moist eyes.

Even the spectral violet silence
of the Earth,
the wish of her childhood, shatters.

Simika, the stranger in the machang house,
a final, corporeal guise of melting ice.

31/5/2025

Amitava Mukherjee
Copyright @ Amitava Mukherjee

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Amitava Mukherjee

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2 Comments

  1. swarup choudhury says:
    January 21, 2026 at 10:56 am

    this is interesting I read a few times with lot of interest
    here is my assesment:
    This poem is a meditation on:
    â€ĸ Late-life reckoning
    â€ĸ Spiritual exhaustion
    â€ĸ The failure of transcendence
    â€ĸ Human smallness against the indifferent sublime

    It rejects romantic mysticism and instead offers existential realism: nature does not redeem; it witnesses.

    In One Sentence

    “Simika, The Stranger in the Machang House” portrays a woman confronting the terrifying beauty of truth—that neither faith, nature, nor time will grant belonging, and that identity ultimately dissolves into silence.

    Reply
    1. Amitava Mukherjee says:
      January 21, 2026 at 11:59 am

      Thanks very much for your nice analysis about the poetry! I appreciated it very much!

      Reply

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